![]() ![]() I’d be genuinely curious to know what you want from H.265 though. One of the main reasons the product lacks this feature is due to licensing costs, so it is likely that if H. get a more professional video converter for transcoding your MTS footage. If you like the smaller file sizes that H.265 offers, you’re probably better off converting in ffmpeg anyway, as it’s encoder is far more effective than HitFilm’s compression (using h.264 as an example). You will have to convert your H.265 footage to something HitFilm supports. This article helps you import MTS files into HitFilm 4 Express for editing. If you’re worried about quality, why not export from HitFilm in Cineform or Prores? (I would recommend this over the uncompressed AVI even if you did want to convert it afterwards- there’s no discernible difference in quality and it’s a substantially smaller export file). In any case, I can’t think of any reason you would need to use H.265 as a final delivery codec (unless you were sending your videos to a client that demanded it for some strange reason). Click File menu and select Add Video/Audio or click the Add Video button on the top tool. Perfect for every project, from sci-fi shorts to motion graphics and beyond. Choose from a staggering 980+ VFX and presets, ready to use on any layer or clip. Our choice of customizable effects is unmatched. I recently started experiencing this with the same x265 movies youve been. HitFilm Pro is more than just a video editing software. ![]() Either that or they just weren’t able to get to the encoding part this time around (but my money is actually on the first guess). But the rock64 pro did not have the power to transcode fast enough for a. If I had to guess, it’s because encoding to HEVC is another expensive license on top of the license for decoding. ![]()
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